"In photography, you always have both the medium and the depicted subject at the same time." -- Thomas Ruff
In Ruff's work, the image is a very particular thing. I especially like his over-enlarged internet Jpegs. His more recent work has wandered into CG and crypto-photograms, a process that creates an image of imagery, where the "true" object, placed on photo paper, is itself replaced by an ephemeral concept, a mental image of an optical image. So meta.
The crisis of "thingness" in photography is at once at the root of many of its greatest strengths and weaknesses, as pointed out by painter Gerhard Richter:
P1020027, March 2009
"Representation of the world like the world itself is the work of men, they describe it from their point of view which they confuse with absolute truth." - Simone de Beauvoir
Fuji’s X100s is about to bow out as the X100T is introduced. Time for my non-review of the S, then! Just as well, since most online reviews (of most equipment – not just cameras) tend to get written by someone with general skill but a few hours or at most a couple of weeks actually using the thing. They might be "putting it through its paces" in a tinkertoy sort of way, but not chasing pictures with it in a sustained way, in all weather, different circumstances, lighting, time, and weight constraints. There are a few exceptions, of which I’d probably single out Kevin Mullins’s The Owl (and his book, which taught me not to use the Fuji like a Canon or Panaleica) for usability tips, and Zack Arias’s excited gush over the original X100 after using it for a good while.
There are plenty of people who will tell you all the things they enjoy about this camera. This leaves me more room to kvetch! Don’t worry, it’s kvetching that comes from love…