After some time using it daily, I can recognize my own way of working with the LX1, so it seems time to share some rambling notes. Operationally, electrically, and optically the camera is identical to the Leica D-Lux2 — these notes apply equally well to both cameras.
Let me start why saying why I bought the LX1. I knew that it would be slower to use than a DSLR, but I wanted a high-quality compact. A friend at work was raving about his DLux2, and I checked out the Panasonic alternative but wasn’t feeling a need to buy anything at the time. A couple of weeks later, I saw a very cool camera at Fry’s and realized that this was the same camera I’d been web-browsing. Besides the pleasant feel of the camera in my hand, it had an actually-wide wide-angle (28mm equivalent) and native 16::9 aspect ratio.
Garr’s recent post on slideuments got me thinking about my current Powerpoint method.
I sometimes do fall into the “write the presentation on the plane while traveling to the conference” method, but after taking it in the face a few times I’ve tried to avoid it. It’s worth thinking on your feet though — a couple of years back I traveled some 14 hours to give a presentation to a group, only to discover that just before we began they had “warmed up” by watching one of my presentations on video: the same one I was about to give. Fast backtrack! Happily I had colleagues and enough extra material to come up with a useful session on the spot (and spend part of the time provoking audience response and asking them a lot of questions).
This past week I received a Panasonic LX1, my first non-Canon digital (other than a phone camera). Tiny, 8MP, Leica lens (essentially, it’s identical to the Leica D-Lux2) — and 16::9 aspect ratio, which was the Big Deal for me. So far: though the pace is definitely slower (and the ISO’s lower) than using a DSLR, as a pocketable high-quality camera: fantastico. Loving it.
Measured in “blog years” perhaps I haven’t posted for a while, but it’s good to keep it in perspective. Consider the timeline above, for instance, which describes part of our relationship to foods.
Each horizontal pixel in the timeline represents 162.5 years, and I’ve only run it back as far as the advent of modern humans — people who are physically the same as you or I. The timeline could have gone further — for example, to the beginnings of fire and cooking, which vary in estimation from 500,000 to 1.7 million years ago — anywhere from five to fifteen times as long as the current chart (or 2125 years per pixel, which would place the advent of agriculture a mere four pixels from the end of the timeline).