"One needn’t write essays about it."

As many people have discovered, Alec Soth now has a blog and is one of the many fine photographers now writing about their work (and a bunch of other stuff).

Alec hasn't just appeared in his own blog, of course. Here's a snip from the Walker Arts Center blog which I like a great deal:

This is totally corny, but the way I think about it is I really close my eyes and I try to imagine an exhibition of pictures and see what kind of pictures — what is it I really want to look at? — and then go try to make those pictures. You never make those pictures, because they just don't emerge that way, but it takes you on a path. Recently, I was in Georgia and it was the beginning of a commission. What did I want to photograph? Like, I'm interested in hermits. So I do a little Google search on 'hermits,' 'Georgia.' And I find this Greek orthodox monastery in rural Georgia, and I go there and have this amazing encounter with these people. Those pictures weren't in my head — Greek Orthodox monks — but something developed and it took me on this crazy path.

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REAL

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As mentioned a few days ago this has been a 3D animation sort of week. I’m taking a break tonight but expect there to be more over the weekend. I’m working in multiple packages: XSI, Max, and Maya — animating and setting up shader networks in XSI, modeling and animating in Maya, consolidating and scene-building in Max. A bit like working out tunes on piano (or trumpet) so you can record them on guitar. The hardest part is dealing with it at a finger level: holding down Alt in XSI instead of hitting “s” and that sort of thing. Videogames have stabilized on some key combos, like the first-person-shooter combo of ‘asdw’ — but not these apps. Not yet.

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Double Teamed

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I had hoped to write a review of William Eggleston in the Real World this past weekend, but the DVD proved to be deeply forgettable — so I forgot. I also watched, for about the eighth time, War Photographer. I keep playing the same silly game with it as I did in the first viewing — comparing when I would have hit the shutter to when Natchwey does. A silly game, but — one that reflects back on the purpose for his presence in the first place… which are the strongest pictures? (Maybe I should do this while viewing through my camera… I recall a thread a year or two back on ShortsShooter where someone was suggesting, as an exercise, going through POY and other news shots this way. His theory being — and for some it might work — that viewing in this way would give student photographers a better sense of the physical experience of the original photographer when they made the shot)

1 min read