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The state publishes a PDF containing the 2012 California Dept of Transportation Bicycle-Related Roadway Standards. It contained, across several pages, all of the current standards for bicycle-related signage (and much more). I’ve collected the signs together here for easier web reference (fabric patterns, anyone?).
Note that the vague legacy “Share the Road” sign seems to be fading out, to be replaced by the much clearer “MAY USE FULL LANE.” About time!
This morning I decided to go for a bike ride. Dragged out a map, looked at some of my favorite recent destinations for riding that were at about what I felt was an appropriate distance for the amount of time I had; then drew a circle roughly around my location to fit their range. I noticed that they all tended to cluster to the north and west, to Palo Alto, Los Altos, and the hills near them.
There’s an old photographer’s maxim: if the view is interesting in a particular direction, there’s a good chance that the view will be interesting in the opposite direction, too. This is one of those little guidelines that encourage the thing I most like about the process of photography, and that I like most about cycling: it demands that you pay attention.
So I chose a different route, and a path less traveled, which has made all the difference.
The photograph at right was made along a path that I hesitated before – gravel, long, no easy turning back. Little sign of popularity, not even a guarantee that I’d not get to the far side and reach some impasse that would send me back the way I’d come.
I’ll be the first to say that I find most Holga/Diana-wana-be photgraphy cloying and twee and it’s pretty rare that even the most earnest results feel like anything more than just a rehash of Nancy Rexroth’s “IOWA.” So you can imagine my reflex reaction to programs that deliberately “crappify” otherwise-clear, direct images, burying them under just so much mannered noise. And you’d be right, at least about my initial reaction. Why my attitude has changed in the next photorant entry.
In the mean time, since I couldn’t find one that entirely suited me, here are a couple of guides to the color modes (and below, frame styles) offered as presets by the Android camera-phone program Vignette. A similar chart can be found here, but it was missing skin tones).
@ MOMA, NYC
Paul Graham was kind enough not to name the unthinking reviewer who he says doesn’t “get” photography – which is odd, because you’d think he’d want to protect others from the potentially-insulting opinions he cites in this one-paragraph Jeff Wall book blurb by Carnelia Garcia in ArtInfo’s February ART+AUCTION (Garcia claims to be a museum “PR Associate” according to her LinkedIn profile – I won’t speculate further).
What Graham’s essay seems to miss is “how there remains a sizeable part of the art world that simply does not get” a lot of art – not just photography. ..