Art Endures

Watching the "Raw Video" clips over at reuters.com and as usual they rock. Being able to just watch the lightly-edited raw footage, without voiceover or some dopey camerahog doing a standup in front of a safe gate or highway berm, is a monumentally great and apparently not-well-known resource.

Today the feeds were full of Iraqi looting, of course. And a quick snip of the departing Iraqi delegate to the UN: "I love New York." One long clip covered a tour one of Qusay Hussein's so-far largely-unlooted palaces, along with the associated undestroyed yacht.

The palaces are fascinating in their bizarre mixtures of art, high, low, and indifferent. When the first footage of a Saddam residence showed up on Tuesday, CNN repeated showed a tall multiple-picture frame, the sides adorned with sprocket holes, to make some allusion to motion picture stills — the sort of thing you would find at any of the cheapest gift shops on Hollywood Boulevard. It was filled not with family snaps but official portraits.

Qusay's yacht was decorated with Babylonian motifs, mixed with a large dose of Louis XIV gold trim. The house? Huge Boris Vallejo fantasy paintings, or perhaps simply commisioned knockoffs of Boris Vallejo paintings (the fortune you could get for those at Comicon, heh).

If the Iraqi government hasn't already done so, someone should really create a catalog of Hussein art — not the art owned by him, per se, but the art of him. I wonder if any of it dared have a voice of its own, or if it all was safely kitsch, like that of the great dictatorships of the 30's and 40's so admired by Saddam.

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